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【輸入盤CD】【新品】John Frusciante / : II .【K2023/2/3発売】 ￥3,940 |
| 発売日: 2023/2/3輸入盤USレーベル: Avenue 66収録曲: 1.1 Golpin1.2 MK 2.11.3 Pyn1.4 Blesdob Dot1.5 Unitiled1.6 Clank1.7 Frantay1.8 Galvation1.9 Sluice1.10 Firplnコメント:"After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines. While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, '... And The Gods Made Love' by Jimi Hendrix, the synths in the song 'Mass Production' by Iggy Pop, and the general idea of Eno's initial concept of ambient music. Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes it's position, are the kinds of movement which it was the role of the synth patches to communicate... I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc. What I needed was to create music from the ground up with nothing but sound, and have that music reflect 'being' rather than 'doing'. It was a therapeutic way of re-balancing myself, before and during my band's mixing process... " -John Frusciante"After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines. While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, '... And The Gods Made Love' by Jimi Hendrix, the synths in the song 'Mass Production' by Iggy Pop, and the general idea of Eno's initial concept of ambient music. Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes it's position, are the kinds of movement which it was the role of the synth patches to communicate... I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc. What I needed was to create music from the ground up with nothing but sound, and have that music reflect 'being' rather than 'doing'. It was a therapeutic way of re-balancing myself, before and during my band's mixing process... " -John Frusciante | |
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Locus Magazine, Issue #725, June 2021【電子書籍】[ Locus Magazine ] ￥1,008 |
| ＜p＞Locus is the magazine of the science fiction, fantasy, and horror publishing fields, with book reviews, author interviews, news, and listings.＜/p＞ ＜p＞Locus Issue #725 (June 2021) has interviews with Charles Yu and A.C. Wise and a spotlight on artist Reiko Murakami. The issue lists US and UK forthcoming books titles through March 2022. News covers the SFWA election winners, developments in the HMH acquisition, the Federal Writers’ Project, SFWA’s #DisneyMustPay joint task force, Ignyte finalists, Seiun nominees, the Aurora Awards ballot, Guggenheim Fellowship winners, the new Analog Award for Emerging Black Voices, and much more. The column by Kameron Hurley is entitled “Endings (And Beginnings)”. Obituaries remember Marvin Kaye, Dan Sakers, Jan Stirling, Jim Rittenhouse, and Anish Deb. Reviews cover new titles by Nghi Vo, Daryl Gregory, Octavia Cade, Silvia Moreno-Garcia, Catherynne M. Valente, C.L. Polk, Shelley Parker-Chan, P. Dj?l? Clark, Christopher Buehlman, T. Kingfisher, David Ebenbach, Carrie Vaughn, Kazuo Ishiguro, J. Robert Lennon, Teffi, Aleksey Remizov, Bethany C. Morrow, Caroline O’Donoghue, Suyi Davies Okungbowa, Ben Okri, Stephen King, Tenea D. Johnson, Rena Rossner, A.C. Wise, J.S. Breukelaar, Thomas Connolly, and others.＜/p＞ ＜p＞Magazines reviewed in this issue (indicating reviewer)ー＜/p＞ ＜p＞Apex #123 (Paula Guran)＜br /＞ Beneath Ceaseless Skies 3/25/21 (Karen Burnham)＜br /＞ Beneath Ceaseless Skies 4/8/21 (Karen Burnham)＜br /＞ Black Static 78-79 (Paula Guran)＜br /＞ Bourbon Penn 3/21 (Rich Horton)＜br /＞ Clarkesworld 4/21 (Karen Burnham)＜br /＞ The Dark 3/21 (Paula Guran)＜br /＞ The Dark 4/21 (Paula Guran)＜br /＞ Escape Artists 3/2/21 (Karen Burnham)＜br /＞ Escape Artists 3/5/21 (Karen Burnham)＜br /＞ F&SF 5-6/21 (Rich Horton)＜br /＞ The Future Fire 1/21 (Karen Burnham)＜br /＞ Lightspeed 4/21 (Karen Burnham)＜br /＞ Nightmare 4/21 (Paula Guran)＜br /＞ Not One of Us 1/21 (Rich Horton)＜br /＞ Not One of Us 4/21 (Rich Horton)＜br /＞ Strange Horizons 3/29/21 (Karen Burnham)＜br /＞ Strange Horizons 4/21 (Karen Burnham)＜br /＞ Tor.com 4/20/21 (Karen Burnham)＜br /＞ Uncanny 3-4/21 (Paula Guran)＜/p＞ ＜p＞Books reviewed in this issue (indicating reviewer)ー＜br /＞ Breukelaar, J.S. ? The Bridge (Paula Guran)＜br /＞ Buehlman, Christopher ? The Blacktongue Thief (Adrienne Martini)＜br /＞ Cade, Octavia ? The Impossible Resurrection of Grief (Gary K. Wolfe)＜br /＞ Clark, P. Dj?l? ? A Master of Djinn (Liz Bourke)＜br /＞ Connolly, Thomas ? After Human: A Critical History of the Human in Science Fiction from Shelley to Le Guin (Alvaro Zinos-Amaro)＜br /＞ Ebenbach, David ? How to Mars (Adrienne Martini)＜br /＞ Gregory, Daryl ? The Album of Dr. Moreau (Adrienne Martini)＜br /＞ Gregory, Daryl ? The Album of Dr. Moreau (Gary K. Wolfe)＜br /＞ Hamilton, Denise, ed. ? Speculative Los Angeles (Rich Horton)＜br /＞ Hecq, Dominique & Eugen Bacon ? Speculate (Rich Horton)＜br /＞ Ishiguro, Kazuo ? Klara and the Sun (Ian Mond)＜br /＞ Johnson, Tenea D. ? Broken Fevers (Gabino Iglesias)＜br /＞ King, Stephen ? Later (Gabino Iglesias)＜br /＞ Kingfisher, T. ? Paladin’s Strength (Adrienne Martini)＜br /＞ Lennon, J. Robert ? Subdivision (Ian Mond)＜br /＞ Moreno-Garcia, Silvia ? The Return of the Sorceress (Gary K. Wolfe)＜br /＞ Morrow, Bethany C. ? A Chorus Rises (Colleen Mondor)＜br /＞ O’Donoghue, Caroline ? All Our Hidden Gifts (Colleen Mondor)＜br /＞ Okri, Ben ? Prayer for the Living, (Maya C. James)＜br /＞ Okungbowa, Suyi Davies ? Son of the Storm,(Maya C. James)＜br /＞ Parker-Chan, Shelley ? She Who Became the Sun (Liz Bourke)＜br /＞ Polk, C.L. ? Soulstar (Liz Bourke)＜br /＞ Remizov, Aleksey ? The Little Devil and Other Stories (Ian Mond)＜br /＞ Rossner, Rena ? The Light of the Midnight Stars (Katharine Coldiron)＜br /＞ Teffi ? Other Worlds: Peasants, Pilgrims, Spirits, Saints (Ian Mond)＜br /＞ Valente, Catherynne M. ? The Past is Red (Gary K. Wolfe)＜br /＞ Vaughn, Carrie ? Questland (Adrienne Martini)＜br /＞ Vo, Nghi ? The Chosen and the Beautiful (Gary K. Wolfe)＜br /＞ Wise, A.C. ? Wendy, Darling, (Paula Guran)＜/p＞ ＜p＞About Locus:＜/p＞ ＜p＞Locus is the news magazine and trade journal for chain SF and fantasy buyers, independent bookstore SF and fantasy buyers, and independent distributors as well as librarians, editors, authors, publishing personnel, and interested readers. The magazine has been covering the SF and fantasy fields for over 40 years, and has won the Hugo Award, science fiction's premier honor, 30 times. The magazine's website, which contains a sampling of magazine content as well as additional genre news, media reviews, the Roundtable Blog, indexes of reviews and interviews published, the science fiction awards database, and much much more, can be found at www.locusmag.com. Information about advertising in the magazine can be found at locusmag.com/Magazine/RateCard.html or on the website at www.locusmag.com/Home/LocusOnlineRates.html.＜/p＞ ＜p＞Our Quarterly Forthcoming Book issues (March, June, September, and December) usually sell out, and are used by librarians, bookstores, publishers, and readers to keep abreast of forthcoming titles. Each contains publishing schedules from the major genre publishers ? big houses to small presses ? for the next nine months.＜/p＞ ＜p＞Our February issue summarizes the previous year, and includes a highly regarded annual Recommended Reading List. The August issue has the Locus Awards, voted on by our readers from the best of the previous year. The October and November issues cover the World SF Convention and are constant back issue favorites. All issues have a list of the new books that month, a list of recommended books and bestsellers, and interviews with leading authors.＜/p＞ ＜p＞For information about the parent company, Locus Science Fiction Foundation (a 501(c)3 nonprofit corporation), see www.lsff.net.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | |
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Solstice Sacrifice【電子書籍】[ Ava Lore ] ￥671 |
| ＜p＞The sun has hidden its face, and ice grips the land. In the days of old, a virgin would be sacrificed to the lord of the forest...＜/p＞ ＜p＞Headstrong Klara is the only woman to defy the lecherous advances of Master Kazmer, the head of her village. When she violently rejects him yet again, Kazmer resurrects the old sacrificial ritual and offers her up to the god no one believes in any longer, hoping days without food and water will persuade her to submit to him. But when the God comes to collect his due, he wants more than just a dead body. Can Klara prove to him she could be a worthy queen and bride?＜/p＞ ＜p＞Solstice Sacrifice is a 20,000+ word erotic novelette. Warning! Contains enthusiastic virgin defloration by a horned god hung like a stag, rough and reluctant oral and anal sex, masturbation and breeding. 18+ only please!＜/p＞ ＜p＞EXCERPT:＜/p＞ ＜p＞With exaggerated care, he moved his nose to the crook of her throat and shoulder, where her cloak still hugged her tightly, and inhaled, taking in her scent. Her body responded, drawn toward him like the air into his lungs.＜/p＞ ＜p＞“You are defiant,” he said at last. “A woman of spirit. The first of your kind in many, many years.”＜/p＞ ＜p＞She didn't know what he meant, only that his voice warmed her from head to toe.＜/p＞ ＜p＞A hand caressed her cheek, and, gently, the god turned her face towards his.＜/p＞ ＜p＞"Open your eyes, Sacrifice," he rumbled.＜/p＞ ＜p＞That voice bypassed all rational thought. She wanted to obey it, no matter the cost. Klara opened her eyes and met his.＜/p＞ ＜p＞Dark and deep, his gaze collided with hers, and his mouthーfull and sensual and entirely humanーquirked at her. Her eyes were drawn to it and she wondered, dreamily, what it would be like to nibble on that mouth. Then his lips parted and a deer tongueーsmaller, fit for his smaller jaw, but the tongue of a deer all the sameーswept over them, and Klara snapped back to reality.＜/p＞ ＜p＞The reality of sitting in a cave, chained to a wall, as a sacrifice for a god.＜/p＞ ＜p＞She lifted her chin and met his eyes. "I'm ready," she told him.＜/p＞ ＜p＞He smiled wider.＜/p＞ ＜p＞"No," he said. "You are not."＜/p＞ ＜p＞He placed his fingersーrough and calloused and filled with strengthーagainst her mouth. Heat radiated out from where his skin met hers, and Klara blinked, forcing herself to focus. She couldn't feel these things. They were not holy, not with men, and certainly not with a stagman. Shaking beneath his touch, she rubbed her thighs together, restless, uncertain.＜/p＞ ＜p＞Then his hands moved to her shoulders, and he pulled her forward in a sudden, rough motion. With a cry, Klara tumbled into him and he rumbled deep in his chest, a ghost of the mating call she had heard.＜/p＞ ＜p＞Realization dawned, and Klara began to struggle. The cuffs on her wrists rubbed over her raw skin, bringing tears to her eyes as the stagman ran his hands over her virgin body. Unclaimed territory fell to him as he yanked on her dress, his brute strength ripping the fabric. Cool air hit her and Klara sobered further though the heat between her thighs was mounting. The lips of her cunt were aching and swollen, her breath coming in quick, short spurts as the beast roughly worked his way into her clothing. She squealed when a calloused palm closed over her breast and squeezed, sending a rush of desire through her body.＜/p＞ ＜p＞＜em＞No, no, no,＜/em＞ Klara thought as he reached around and grabbed her ass. ＜em＞No, no, no.＜/em＞ But she was powerless to resist him, just as she was powerless to resist the traitorous responses of her own flesh...＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | |
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